B

 

Due to the double rotational movement of the earth in relation to the sun and on itself, the angle of light on objects is never the same twice. The cut-out of the image in its shadow frame varies day after day, second after second, thus creating these transitional spaces.

 

"Françoise Lerusse's photographs read like a subtle dialogue between shadow and light, between architecture and emptiness, between matter and the ephemeral. Her strikingly minimalist work deconstructs our perception of reality and questions the boundary between image and imprint. Françoise Lerusse invites us to rethink the very nature of the photographic image. Are we facing a captured reality or a skillfully orchestrated illusion? Her work captures the elusive and transports us into a universe where black becomes light and space becomes a trace." Martine Levy-Lambrechts, curator, director of the Twenty Seven gallery in Brussels